Naught moves but clouds, and in the glassy lake
Their doubles and the shadow of my boat.
The boat itself stirs only when I break
This drowse of heat and solitude afloat
To prove if what I see be bird or mote,
Or learn if yet the shore woods be awake.
Long hours since dawn grew, – spread, – and passed on high
And deep below, – I have watched the cool reeds hung
Over images more cool in imaged sky:
Nothing there was worth thinking of so long;
All that the ring-doves say, far leaves among,
Brims my mind with content thus still to lie.
Some day, I think, there will be people enough
In Froxfield to pick all the blackberries
Out of the hedges of Green Lane, the straight
Broad lane where now September hides herself
In bracken and blackberry, harebell and dwarf gorse.
To-day, where yesterday a hundred sheep
Were nibbling, halcyon bells shake to the sway.
Of waters that no vessel ever sailed. . .
It is a kind of spring: the chaffinch tries
His song. For heat it is like summer too.
This might be winter’s quiet. While the glint
Of hollies dark in the swollen hedges lasts –
One mile – and those bells ring, little I know
Or heed if time be still the same, until
The lane ends and once more all is the same.
The last light has gone out of the world, except
This moonlight lying on the grass like frost
Beyond the brink of the tall elm’s shadow.
It is as if everything else had slept
Many an age, unforgotten and lost –
The men that were, the things done, long ago,
All I have thought; and but the moon and I
Live yet and here stand idle over a grave
Where all is buried. Both have liberty
To dream what we could do if we were free
To do some thing we had desired long,
The moon and I. There’s none less free than who
Does nothing and has nothing else to do,
Being free only for what is not to his mind,
And nothing is to his mind. If every hour
Like this one passing that I have spent among
The wiser others when I have forgot
To wonder whether I was free or not,
Were piled before me, and not lost behind,
And I could take and carry them away
I should be rich; or if 1 had the power
To wipe out every one and not again
Regret, I should be rich to be so poor.
And yet I still am half in love with pain,
With what is imperfect, with both tears and mirth,
With things that have an end, with life and earth,
And this moon that leaves me dark within the door.
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter, and leave, alone,
I know not how.
The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.
Like the touch of rain she was
On a man’s flesh and hair and eyes
When the joy of walking thus
Has taken him by surprise:
With the love of the storm he burns,
He sings, he laughs, well I know how,
But forgets when he returns
As I shall not forget her ‘Go now’.
Those two words shut a door
Between me and the blessed rain
That was never shut before
And will not open again.
At hawthorn-time in Wiltshire travelling
In search of something chance would never bring,
An old man’s face, by life and weather cut
And coloured, – rough, brown, sweet as any nut,
A land face, sea-blue-eyed, – hung in my mind
When I had left him many a mile behind.
All he said was: ‘Nobody can’t stop ‘ee. It’s
A footpath, right enough. You see those bits
Of mounds – that’s where they opened up the barrows
Sixty years since, while I was scaring sparrows.
They thought as there was something to find there,
But couldn’t find it, by digging, anywhere.’
To turn back then and seek him, where was the use?
There were three Manningfords, – Abbots, Bohun, and Bruce:
And whether Alton, not Manningford, it was,
My memory could not decide, because
There was both Alton Barnes and Alton Priors.
All had their churches, graveyards, farms, and byres,
Lurking to one side up the paths and lanes,
Seldom well seen except by aeroplanes;
And when bells rang, or pigs squealed, or cocks crowed,
Then only heard. Ages ago the road
Approached. The people stood and looked and turned.
Nor asked it to come nearer, nor yet learned
To move out there and dwell in all men’s dust.
And yet withal they shot the weathercock, just
Because ’twas he crowed out of tune, they said;
So now the copper weathercock is dead.
If they had reaped their dandelions and sold
Them fairly, they could have afforded gold.
Many years passed, and I went back again
Among those villages, and looked for men
Who might have known my ancient. He himself
Had long been dead or laid upon the shelf,
I thought. One man I asked about him roared
At my description: ‘ ‘Tis old Bottlesford
He means, Bill.’ But another said: ‘Of course,
It was Jack Button up at the White Horse.
He’s dead, sir, these three years.’ This lasted till
A girl proposed Walker of Walker’s Hill,
‘Old Adam Walker. Adam’s Point you’ll see
Marked on the maps.’
‘That was her roguery.’
The next man said. He was a squire’s son
Who loved wild bird and beast, and dog and gun
For killing them. He had loved them from his birth,
One with another, as he loved the earth.
‘The man may be like Button, or Walker, or
Like Bottlesford, that you want, but far more
He sounds like one I saw when I was a child.
I could almost swear to him. The man was wild
And wandered. His home was where he was free.
Everybody has met one such man as he.
Does he keep clear old paths that no one uses
But once a lifetime when he loves or muses?
He is English as this gate, these flowers, this mire.
And when at eight years old Lob-lie-by-the-fire
Came in my books, this was the man I saw.
He has been in England as long as dove and daw,
Calling the wild cherry tree the merry tree,
The rose campion Bridget-in-her-bravery;
And in a tender mood he, as I guess,
Christened one flower Love-in-idleness,
And while he walked from Exeter to Leeds
One April called all cuckoo-flowers Milkmaids.
From him old herbal Gerard learnt, as a boy,
To name wild clematis the Traveller’s-joy.
Our blackbirds sang no English till his ear
Told him they called his Jan Toy “Pretty dear”.
(She was Jan Toy the Lucky, who, having lost
A shilling, and found a penny loaf, rejoiced.)
For reasons of his own to him the wren
Is Jenny Pooter. Before all other men
‘Twas he first called the Hog’s Back the Hog’s Back.
That Mother Dunch’s Buttocks should not lack
Their name was his care. He too could explain
Totteridge and Totterdown and Juggler’s Lane:
He knows, if anyone. Why Tumbling Bay,
Inland in Kent, is called so, he might say.
‘But little he says compared with what he does.
If ever a sage troubles him he will buzz
Like a beehive to conclude the tedious fray:
And the sage, who knows all languages, runs away.
Yet Lob has thirteen hundred names for a fool,
And though he never could spare time for school
To unteach what the fox so well expressed,
On biting the cock’s head off, – Quietness is best, –
He can talk quite as well as anyone
After his thinking is forgot and done.
He first of all told someone else’s wife,
For a farthing she’d skin a flint and spoil a knife
Worth sixpence skinning it. She heard him speak:
“She had a face as long as a wet week”
Said he, telling the tale in after years.
With blue smock and with gold rings in his ears,
Sometimes he is a pedlar, not too poor
To keep his wit. This is tall Tom that bore
The logs in, and with Shakespeare in the hall
Once talked, when icicles hung by the wall.
As Herne the Hunter he has known hard times.
On sleepless nights he made up weather rhymes
Which others spoilt. And, Hob being then his name,
He kept the hog that thought the butcher came
To bring his breakfast. “You thought wrong”, said Hob.
When there were kings in Kent this very Lob,
Whose sheep grew fat and he himself grew merry,
Wedded the king’s daughter of Canterbury;
For he alone, unlike squire, lord, and king,
Watched a night by her without slumbering;
He kept both waking. When he was but a lad
He won a rich man’s heiress, deaf, dumb, and sad,
By rousing her to laugh at him. He carried
His donkey on his back. So they were married.
And while he was a little cobbler’s boy
He tricked the giant coming to destroy
Shrewsbury by flood. “And how far is it yet?”
The giant asked in passing. “I forget;
But see these shoes I’ve worn out on the road
and we’re not there yet.” He emptied out his load
Of shoes for mending. The giant let fall from his spade
The earth for damming Severn, and thus made
The Wrekin hill; and little Ercall hill
Rose where the giant scraped his boots. While still
So young, our Jack was chief of Gotham’s sages.
But long before he could have been wise, ages
Earlier than this, while he grew thick and strong
And ate his bacon, or, at times, sang a song
And merely smelt it, as Jack the giant-killer
He made a name. He too ground up the miller,
The Yorkshireman who ground men’s bones for flour.
`Do you believe Jack dead before his hour?
Or that his name is Walker, or Bottlesford,
Or Button, a mere clown, or squire, or lord?
The man you saw, – Lob-lie-by-the-fire, Jack Cade,
Jack Smith, Jack Moon, poor Jack of every trade,
Young Jack, or old Jack, or Jack What-d’ye-call,
Jack-in-the-hedge, or Robin-run-by-the-wall,
Robin Hood, Ragged Robin, lazy Bob,
One of the lords of No Man’s Land, good Lob, –
Although he was seen dying at Waterloo,
Hastings, Agincourt, and Sedgemoor too, –
Lives yet. He never will admit he is dead
Till millers cease to grind men’s bones for bread ,
Not till our weathercock crows once again
And I remove my house out of the lane
On.to the road.’ With this he disappeared
In hazel and thorn tangled with old-man’s-beard.
But one glimpse of his back, as there he stood,
Choosing his way, proved him of old Jack’s blood,
Young Jack perhaps, and now a Wiltshireman
As he has oft been since his days began.
To-day I want the sky,
The tops of the high hills,
Above the last man’s house ,
His hedges, and his cows,
Where, if I will, I look
Down even on sheep and rook,
And of all things that move
See buzzards only above:-
Past all trees, past furze
And thorn, where nought deters
The desire of the eye
For sky, nothing but sky.
I sicken of the woods
And all the multitudes
Of hedge-trees. They are no more
Than weeds upon this floor
Of the river of air
Leagues deep, leagues wide, where
I am like a fish that lives
In weeds and mud and gives
What’s above him no thought.
I might be a tench for aught
That I can do to-day
Down on the wealden clay.
Even the tench has days
When he floats up and plays
Among the lily leaves
And sees the sky, or grieves
Not if he nothing sees:
While I, I know that trees
Under that lofty sky
Are weeds, fields mud, and I
Would arise and go far
To where the lilies are.
The long small room that showed willows in the west
Narrowed up to the end the fireplace filled,
Although not wide. I liked it. No one guessed
What need or accident made them so build.
Only the moon, the mouse and the sparrow peeped
In from the ivy round the casement thick.
Of all they saw and heard there they shall keep
The tale for the old ivy and older brick.
When I look back I am like moon, sparrow, and mouse
That witnessed what they could never understand
Or alter or prevent in the dark house.
One thing remains the same – this my right hand
Crawling crab-like over the clean white page,
Resting awhile each morning on the pillow,
Then once more starting to crawl on towards age.
The hundred last leaves stream upon the willow.
The two men in the road were taken aback.
The lovers came out shading their eyes from the sun,
And never was white so white, or black so black,
As her cheeks and hair. `There are more things than one
A man might turn into a wood for, Jack,’
Said George; Jack whispered: `He has not got a gun.
It’s a bit too much of a good thing, I say.
They are going the other road, look. And see her run.’
She ran. – ‘What a thing it is, this picking may!’
To the best of our knowledge, Edward Thomas’s poetry is ex-copyright in the United Kingdom. In so far as any rights can be established in this on-line collection, they are reserved by The Richmond Review.
