There was a weasel lived in the sun
With all his family,
Till a keeper shot him with his gun
And hung him up on a tree,
Where he swings in the wind and rain,
In the sun and in the snow,
Without pleasure, without pain,
On the dead oak tree bough.
There was a crow who was no sleeper,
But a thief and a murderer
Till a very late hour; and this keeper
Made him one of the things that were,
To hang and flap in rain and wind,
In the sun and in the snow.
There are no more sins to be sinned
On the dead oak tree bough.
There was a magpie, too,
Had a long tongue and a long tail;
He could talk and do –
But what did that avail?
He, too, flaps in the wind and rain
Alongside weasel and crow,
Without pleasue, without pain,
On the dead oak tree bough.
And many other beasts
And birds, skin, bone, and feather,
Have been taken from their feasts
And hung up there together,
To swing and have endless leisure
In the sun and in the snow,
Without pain, without pleasure,
On the dead oak tree bough.
‘He has robbed two clubs. The judge at Salisbury
Can’t give him more than he undoubtedly
Deserves. The scoundrel! Look at his photograph!
A lady-killer! Hanging’s too good by half
For such as he.’ So said the stranger, one
With crimes yet undiscovered or undone.
But at the inn the Gipsy dame began:
‘Now he was what I call a gentleman.
He went along with Carrie, and when she
Had a baby he paid up so readily
His half a crown. Just like him. A crown’d have been
More like him. For I never knew him mean.
Oh! but he was such a nice gentleman. Oh!
Last time we met he said if me and Joe
Was anywhere near we must be sure and call.
He put his arms around our Amos all
As if he were his own son. I pray God
Save him from justice! Nicer man never trod.’
The glory of the beauty of the morning, –
The cuckoo crying over the untouched dew;
The blackbird that has found it, and the dove
That tempts me on to something sweeter than love;
White clouds ranged even and fair as new-mown hay;
The heat, the stir, the sublime vacancy
Of sky and meadow and forest and my own heart: –
The glory invites me, yet it leaves me scorning
All I can ever do, all I can be,
Beside the lovely of motion, shape, and hue,
The happiness I fancy fit to dwell
In beauty’s presence. Shall I now this day
Begin to seek as far as heaven, as hell,
Wisdom or strength to match this beauty, start
And tread the pale dust pitted with small dark drops,
In hope to find whatever it is I seek,
Hearkening to short-lived happy-seeming things
That we know naught of, in the hazel copse?
Or must I be content with discontent
As larks and swallows are perhaps with wings?
And shall I ask at the day’s end once more
What beauty is, and what I can have meant
By happiness? And shall I let all go,
Glad, weary, or both? Or shall I perhaps know
That I was happy oft and oft before,
Awhile forgetting how I am fast pent,
How dreary-swift, with naught to travel to,
Is Time? I cannot bite the day to the core.
Gone, gone again,
May, June, July,
And August gone,
Again gone by,
Not memorable
Save that I saw them go,
As past the empty quays
The rivers flow.
And now again,
In the harvest rain,
The Blenheim oranges
Fall grubby from the trees
As when I was young –
And when the lost one was here –
And when the war began
To turn young men to dung.
Look at the old house,
Outmoded, dignified,
Dark and untenanted,
With grass growing instead
Of the footsteps of life,
The friendliness, the strife;
In its beds have lain
Youth, love, age, and pain:
I am sometimes like that;
Only I am not dead,
Still breathing and interested
In the house that is not dark: –
I am something like that:
Not one pane to reflect the sun,
For the schoolboys to throw at –
They have broken every one.
The skylarks are far behind that sang over the down;
I can hear no more those suburb nightingales;
Thrushes and blackbirds sing in the gardens of the town
In vain: the noise of man, beast, and machine prevails.
But the call of children in the unfamiliar streets
That echo with a familiar twilight echoing,
Sweet as the voice of nightingale or lark, completes
A magic of strange welcome, so that I seem a king
Among men, beast, machine, bird, child, and the ghost
That in the echo lives and with the echo dies.
The friendless town is friendly; homeless, I am not lost;
Though I know none of these doors, and meet but strangers’ eyes.
Never again, perhaps, after to-morrow, shall
I see these homely streets, these church windows alight,
Not a man or woman or child among them all:
But it is All Friends’ Night, a traveller’s good-night.
The green roads that end in the forest
Are strewn with white goose feathers this June,
Life marks left behind by someone gone to the forest
To show his track. But he has never come back.
Down each green road a cottage looks at the forest.
Round one the nettle towers; two are bathed in flowers.
An old man along the green road to the forest
Strays from one, from another a child alone.
In the thicket bordering the forest,
All day long a thrush twiddles his song.
It is old, but the trees are young in the forest,
All but one like a castle keep, in the middle deep.
That oak saw the ages pass in the forest:
They were a host, but their memories are lost,
For the tree is dead: all things forget the forest
Excepting perhaps me, when now I see
The old man, the child, the goose feathers at the edge of the forest,
And hear all day long the thrush repeat his song.
A fortnight before Christmas Gypsies were everywhere:
Vans were drawn up on wastes, women trailed to the fair.
‘My gentleman,’ said one, ‘you’ve got a lucky face.’
‘And you’ve a luckier,’ I thought, ‘if such grace
And impudence in rags are lucky.’ ‘Give a penny
For the poor baby’s sake.’ ‘Indeed I have not any
Unless you can give change for a sovereign, my dear.’
‘Then just half a pipeful of tobacco can you spare?’
I gave it. With that much victory she laughed content.
I should have given more, but off and away she went
With her baby and her pink sham flowers to rejoin
The rest before I could translate to its proper coin
Gratitude for her grace. And I paid nothing then,
As I pay nothing now with the dipping of my pen
For her brother’s music when he drummed the tambourine
And stamped his feet, which made the workmen passing grin,
While his mouth-organ changed to a rascally Bacchanal dance
‘Over the hills and far away.’ This and his glance
Outlasted all the fair, farmer, and auctioneer,
Cheap-jack, balloon-man, drover with crooked stick, and steer,
Pig, turkey, goose, and duck, Christmas corpses to be.
Not even the kneeling ox had eyes like the Romany.
That night he peopled for me the hollow wooded land,
More dark and wild than the stormiest heavens, that I searched and scanned
Like a ghost new-arrived. The gradations of the dark
Were like an underworld of death, but for the spark
In the Gypsy boy’s black eyes as he played and stamped his tune,
‘Over the hills and far away,’ and a crescent moon.
To the best of our knowledge, Edward Thomas’s poetry is ex-copyright in the United Kingdom. In so far as any rights can be established in this on-line collection, they are reserved by The Richmond Review.
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